Stephenie Meyer conjured up the morally ethical vampire, Edward Cullen. So who better to ask why? Why is he so good at keeping Bella's virtue intact? Why is it so important - really?
Transcript
Q: I’m curious about Eclipse because at the point where…I love Eclipse because Edward becomes a lot more flirtatious, and you get to kinda see that.
SM: They have some moments, which are hard to do with fiction because everybody wants constant pacing. I tend to slow down. A lot of what my editors did was cut. Because I just wanna sit and “Let’s have a nice moment. Let’s have a happy time.”
Q: One of the most “nice moments” is when they’re in Edward’s room in bed, and he proposes, okay? There are lots of people that have asked questions, I’ve probably had 10 or 20 just within that one scene. But the one I want the answer to the most is: Edward at one point, he kind-of caves. Just a smidge. When he says “no, no, stop, we’re not doing this until we are married” — is it more out of a moral issue, or is it more out of “I want to make sure you keep up your end of the deal”?
SM: They’re equal parts. There are a couple of things. One is, Edward was born in 1901. And in his mind — he understands the world more clearly than we do. He hears everybody’s thoughts. But to him, this is kind of a…for him it’s a very disrespectful… And he can’t get away from the taboos of his youth. It would be wrong to take advantage of her, in his mind. And obviously, she has a completely different viewpoint. Her viewpoint of it is very modern. She knows that she is with him forever, and she doesn’t see his point. But he just comes from a different place. And I really like, every place I could put in, that would really date him. Because I like when he is…..109.
Q: Chivalrous!
SM: When he’s different, because he has a lot of different experiences. Part of it is, he is stalling for time. He wants to string the…..because there is that part of him that knows it would be better if she went with Jacob. For her, in his mind. He never foresees her being a happy vampire. In his mind, it’s all the Rosalie reaction. He just thinks she will be miserable and there will be so much pain, for her. He wants her to be happy, so he thinks “the longer we string this along, maybe she is going to change her mind, maybe she’ll say yeah, I wanna stay human, I’ll do this.” And then there is just absolutely the physical fear. Because he is really worried about that part of it. The pain of becoming a vampire is not a joke! All this timing, the way I envision it, it’s a big deal. Some say “just bite her, just bite her.” Wouldn’t that just give you so much pause? It’s like you want your husband or your loved one — you want him to be like you, but you’re going to have to torture him for three days. It’s a long time for anyone and bad enough that it went on for three days. It’s a huge deal. That’s a big thing for him. Even knowing that she’ll get over it and it will pass…those three days are a gigantic hurdle.
To read more on the interview, please go HERE
Source
Thanks Beta Azlina Ilzdaf Cullen-Pattinson for the info.
[Ina Noorazan]
Transcript
Q: I’m curious about Eclipse because at the point where…I love Eclipse because Edward becomes a lot more flirtatious, and you get to kinda see that.
SM: They have some moments, which are hard to do with fiction because everybody wants constant pacing. I tend to slow down. A lot of what my editors did was cut. Because I just wanna sit and “Let’s have a nice moment. Let’s have a happy time.”
Q: One of the most “nice moments” is when they’re in Edward’s room in bed, and he proposes, okay? There are lots of people that have asked questions, I’ve probably had 10 or 20 just within that one scene. But the one I want the answer to the most is: Edward at one point, he kind-of caves. Just a smidge. When he says “no, no, stop, we’re not doing this until we are married” — is it more out of a moral issue, or is it more out of “I want to make sure you keep up your end of the deal”?
SM: They’re equal parts. There are a couple of things. One is, Edward was born in 1901. And in his mind — he understands the world more clearly than we do. He hears everybody’s thoughts. But to him, this is kind of a…for him it’s a very disrespectful… And he can’t get away from the taboos of his youth. It would be wrong to take advantage of her, in his mind. And obviously, she has a completely different viewpoint. Her viewpoint of it is very modern. She knows that she is with him forever, and she doesn’t see his point. But he just comes from a different place. And I really like, every place I could put in, that would really date him. Because I like when he is…..109.
Q: Chivalrous!
SM: When he’s different, because he has a lot of different experiences. Part of it is, he is stalling for time. He wants to string the…..because there is that part of him that knows it would be better if she went with Jacob. For her, in his mind. He never foresees her being a happy vampire. In his mind, it’s all the Rosalie reaction. He just thinks she will be miserable and there will be so much pain, for her. He wants her to be happy, so he thinks “the longer we string this along, maybe she is going to change her mind, maybe she’ll say yeah, I wanna stay human, I’ll do this.” And then there is just absolutely the physical fear. Because he is really worried about that part of it. The pain of becoming a vampire is not a joke! All this timing, the way I envision it, it’s a big deal. Some say “just bite her, just bite her.” Wouldn’t that just give you so much pause? It’s like you want your husband or your loved one — you want him to be like you, but you’re going to have to torture him for three days. It’s a long time for anyone and bad enough that it went on for three days. It’s a huge deal. That’s a big thing for him. Even knowing that she’ll get over it and it will pass…those three days are a gigantic hurdle.
To read more on the interview, please go HERE
Source
Thanks Beta Azlina Ilzdaf Cullen-Pattinson for the info.
[Ina Noorazan]
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